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As the Byrde family takes the stage at their gala, Ruth Langmore is confronted outside her home by Camila. She knows what's coming, but is defiant 'till the end. ""I'm not sorry," she tells Camila. "Your son was a murdering bitch. And I now I know where he got it from." Camila shoots Ruth right in the heart. 

Affleck's ex-wife Jennifer Garner, pictured yesterday in Los Angeles, is delighted by the romance. 'Jennifer is very pleased for him. She wants only the best for him and for him to be happy and it's obvious that he's in a good place now.'


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J Lo believes that this troubled 49-year-old Hollywood hunk is finally marriage material. Since restarting their romance, he's been working out with her daily and as a result is in the shape of his life.

Then along came Goldfinger (1964), the third movie. This one ratcheted things up and pretty much set the splashy tone for all the movies up till Craig arrived — the outlandish plot (set off a nuke to irradiate the gold at Fort Knox), the over-the-top villain and henchman, the Aston Martin DB-5 sports car tricked out with machine guns and ejector seat, the laser with which Goldfinger memorably threatens 007 ("No, Mr. If you cherished this posting and you would like to receive additional details with regards to Slot Machine casino kindly check out the web-site. Bond. I expect you to die"). Plus: One of the greatest theme songs of the series.

Camila calls over one of her henchman and tells him to kill the Byrdes and their kids if Marty or Wendy try to give Ruth any advance notice and Camila is coming for her. In the final scenes, we see Marty and Wendy congregate about their options and realize they have none. After four seasons of wriggling out of tough spots, they're utterly powerless.  They're safe, but can do nothing to save Ruth -- which is painful to both them and us.

Craig himself delivers all the muscle and menace the character deserves, in keeping with Fleming's depictions and as measured against Connery, still the standard by which all other Bonds are invariably judged. There's nothing glib about this Bond, and if he does look good in a tuxedo, you always know there's a brute inside ready to battle the baddies. You learn right off the bat how he earned his double-0 (license to kill) rating, then it's off to a spectacular chase and gunfight. That's just in the first 18 minutes.

Bennifer has decided they would need to be able to raise their blended family together and so Lopez moved herself and her twins Max and Emme over from Miami to a huge $60 million mansion in LA which used to belong to Danny DeVito


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Enter Camila, the new boss Camila pretends to understand cartel politics but orders a hit on Omar in prison. Omar survives the assassination attempt and suspects one among the cartel ranks was behind the plot. More treachery: The Byrdes plot with Camila to overthrow Omar, organizing yet another hit and for Camila to strike the same FBI deal accepted by Omar that would see the Byrde's wipe their hands of the whole cartel thing. 

One teen strikes Lambert on the back of his head, sending both Lambert and the cone falling onto the side walk during the brutal June 24 attack. Footage shows their victim struggling to get to his feet and away from his alleged attackers
I got started watching back in the Connery era, so I'm eternally bonded to those movies. But for contemporary audiences, I'm going with a different recommendation for which Bond movie to watch first, and where to go from there.

Start with Casino Royale, Daniel Craig's debut Daniel Craig's first outing as James Bond is a terrific spy/action movie, period. It's heart-poundingly good. But Casino Royale (2006) also did what no previous Bond movie could do: It completely rebooted the franchise, blowing up a formula that many saw as played out, with far-fetched gimmicks and belabored puns, even as it remained a steady box office draw. It's based on Ian Fleming's very first Bond novel and gives us Bond very much as he was introduced to the world. It stays true to that original story in many essential ways (not a hallmark of Bond movies in general) while at the same time updating it for modern audiences attuned to the Jason Bourne and Mission: Impossible movies.